|Medium||Watercolour and felt tip pen on paper|
|Dimensions||29.7 x 21 cm|
|Nominated by||Huma Kabakci|
About the work
Profiling and Facing the Titillating Bits is showing the curves and the erogenous zones of a female body. The drawing alludes to the French film, Portrait of a Lady on Fire, directed by Céline Sciamma, whose way of filming women’s desire derails the scopophilic male gaze we are accustomed to.
About the artist:
Ingrid Berthon-Moine lives and works in London. Graduated from MA Fine Art at Goldsmiths University, London (2017).
Berthon-Moine’s work primarily uses sculpture and painting as a way to examine the construction of gender, identity and its behavioural consequences in our society.
Selected exhibitions include I Lack it, I Like it, online (2020); Return to The Body, Chalton Gallery, London (2020); Blame The Algorithm, Stadtmuseum München, Munich (2019); Material Gestures, Art Licks Weekend, London (2019); Playground, Världskultur Museerna, Gothenburg (2018); Solitudes Molles Sous la Lumière Bleue, Espace Temoin, Geneva (2018); We All Have a Problem with Representation, The Showroom, London (2016); and Feminist Practice in Dialogue, ICA, London (2015).
Awards include the Barbican Art Trust Residency Winner (2019).