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|Medium||Gouache on paper|
|Dimensions||29.7 x 21 cm|
|Top pick||Martin Clark, Director, Camden Arts Centre|
About the work
This is made with a sign writing brush, on both sides of the paper. Left for some time and returned to at different orientations. Leaning into disconnected lines, a field of movement directions, adding up at the same time dividing.
About the artist:
Born 1979 Oldham, Nicholas Byrne lives and works in London. Graduated from the Slade School of Fine Art (2003), and the Royal College of Art (2005).
Selected solo and two-person exhibitions include Fumes, Federica Schiavo Gallery, Milan (2018); LOVE, Cold Shower, (with Anthea Hamilton), Schinkel Pavilion, Berlin (2016); Finish your sentence, Vilma Gold, London (2015); Gib’s Mir, (with Gili Tal), OUTPOST, Norwich (2013); Faces, (with Nora Schultz), dépendance, Brussels (2011); A Catholic Episode, Vilma Gold, London (2010); and Divider, Studio Voltaire, London (2008). Select group exhibitions include Yesn’t II, with Anthea Hamilton, curated by Paul Maheke, Galerie Sultana, Paris (2020-21); Death, Volcano Extravaganza, Fiorucci Art Trust, Stromboli (2019); The Averty Show, Le Confort Moderne, Poitiers (2015); Burning Down the House, with Anthea Hamilton, 10th Gwangju Biennale (2014); Several Species of Small Furry Animals Gathered Together and Grooving on a Pict, Veneklasen Werner, Berlin (2013); Public Private Paintings, Kunstmuseum Ann Zee, Oostende (2010); and The Dark Monarch, Tate, St Ives (2009).
Awards and Residencies include Irish Museum of Modern Art, Dublin (2014); and Residency at Cité International des Arts, Paris (2006).