Sarah Macdonald

Set for Two Variation #2

Current bid: £
[x bids] View all bids
Enter £x or more
Bidding is now closed for this drawing.

All bids

Year 2020
Medium Acrylic and oil on paper
Dimensions 29.7 x 21 cm

About the work

This work is part of a series of drawings which inform my larger scale painting. The drawing and re-drawing of shapes from observation and memory allow me to rediscover and develop spaces and form within the pictorial space. I allow space in the work for there to be an ambiguity of interpretation, where shapes can slip in and out of describing identifiable forms in a similar way to the way that memory operates and plays with the act of recognition. Specifically, this drawing plays with pattern and surface to distort the interpretation of space and perspective. 

About the artist:

Born 1977 London, Sarah Macdonald lives and works in London. Graduated from BA Fine Art, Goldsmiths College (2000); and MFA Painting, Slade Schhol of Fine Art (2009).

Through her paintings and drawings, Macdonald layers pattern and image to build compositions. She is interested in the moment that a familiar everyday object slips into abstract form. She utilises templates, drop shadows, scale and gestural mark-making to challenge the presentation of space within the painting. The re-drawing and re-painting of shapes from observation and memory allows to rediscover spaces and form within pictorial space. References accumulate; ranging from 1940’s handwriting patterns, Scandinavian interior design, to motif in cinematography and literature; specifically contemporary feminist theory and Autofiction. For Macdonald, painting can both represent and question verisimilitude, it is the ultimate virtual plane. She wants her paintings to speak of the familiar and the unfamiliar, the monument and the everyday object.

Selected solo exhibition include Going! Going! Gosh!, Show Home Gallery, London (2016). Selected group exhibitions include Drawing Biennial, Drawing Room, London (2017 and 2019); Bulkhead Exchange, with Jamie George and Richard Scott, Tannery Projects, London (2016); Screen, Turps’ Banana Gallery, London (2015); Drawing Biennial, Drawing Room, London (2015); Tanlines, curated by Sarah Brown, Drawing Room, London (2014); Creekside Open, Selected by Dexter Dalwood, APT, London (2011); Civil Twilight, Curated by Marcus Cope, B&N Gallery, London (2011); and Mr Mercer, Oriel Scyharth Gallery, Glyndwr University, Wrexham (2011).

Awards include Honorary Research Associate for the Discourse Project for Post Graduate Painting at the Slade School of Fine Art (2015/16); and selection by Alison Wilding for the Creekside Open (2017).

← Anna Lytridou

Off Grid

Kumi Machida →


Auction close and bidder extension

The auction closes at 9pm, Mon 5th July. However, if a bid is placed in the last two minutes, the auction end time will extend on that lot for an additional two minutes, or until all bidding has ceased. This is called Popcorn Bidding or Bidder Extension and gives all bidders an equal chance of winning.

Bid Increments

£50 increments for bids of £300 – £1,000

£100 increments for bids of £1,000 – £2,000

£250 increments for bids of £2,000 – £5,000

£500 increments for bids of £5,000 plus

Maximum bids

You are more likely to be the winning bidder if at the outset you place a maximum bid i.e. the maximum amount you are willing to pay for the work. Your maximum bid is not visible to other bidders. If another bidder exceeds your maximum bid you will receive an automatic notification. If you have placed a maximum bid the auction site will automatically place bids on your behalf, but only as much is necessary to make sure that you remain the highest bidder, until it reaches your maximum bid. These automatic bids are placed in increments, as shown above.

You must be logged in to add favourites